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Brussels has a large population of people from the African continent. Music Audience stage plays a kataliserende role in cultural manifestations of that population. In addition to a podium and workshops, the organization for several years also sparsely sound recordings. Malick Pathé Sow is a solid favorite, because it is his second album on this label. This time in collaboration with another Brussels-based musician, Bao Sissoko. Both are originally from Senegal. Pathé is Peulh and Sissoko Mandika. Music sometimes does wonders and also here: the two different styles of music of the peoples what are consumer goods melt together and deliver a great laid back CD. Pathé plays the hoddu, a Peulh variant of the four-stringed West African lute, as well as acoustic guitar. He has a hypnotic, somewhat hoarse voice. Sissoko's kora player and sings in the background. All thirteen tracks are composed by the duo. They are mainly characterized by peace and a certain melancholy. Nevertheless, the game of Sissoko on the kora sometimes darting and uplifting. The guitar playing of Pathé is rather basic, but effective. Beneath swinging songs and some instrumentals. But rather than exuberant spin, you will be on the Aduna ("world") swaying. The duo gets into changing composition supporting four guest musicians, mainly with percussion and background vocals. The information published is trilingual (French, English and Dutch) included in the booklet. The CD has a pleasant sound and is thus produced what are consumer goods fine. Aduna of Sow and Sissoko is a very accessible album that will please even the uninitiated.
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